Rapper Lil Wayne sings ‘Take Me Out To The Ball Game” — and Ryan Theriot helped to make it happen (Video)

22 Oct
2012
by David Brown in Fantasy Baseball, General

SAN FRANCISCO — It is written in some holy texts that when folk music legend the Kingston Trio, Metallica frontman James Hetfield and rap star Lil Wayne converge on the home ballpark of the San Francisco Giants in October of 2012, the apocalypse soon will follow.

And look at this: We got Game 7 of the NLCS coming up Monday night, with the Giants taking on the St. Louis Cardinals for a World Series berth. It might not be the end of the world, but it should be pretty crazy-go-nuts around AT&T Park. Rain permitting.

But in Game 6, the Giants took pains to ensure that all sorts of musical tastes were represented at the McCovey Cove Center for the Performing Arts. The current version of The Trio sang "The Star Spangled Banner," and Hetfield gave a rousing pep talk that Hunter Pence would have loved. It included the the following question:

"Are you ready to kick some Cardinals ass?!" (It turns out the Giants were ready.)

And then there was Dwayne Michael Carter Jr., who had given a Twitter shout-out to Theriot after the Giants won Game 5 in St. Louis on Friday:

Both men are from Louisiana (Theriot is from Baton Rouge and Wayne is from New Orleans) and met each other "through friends of friends. Long story," Theriot said.

You can judge for yourself Wayne's effort on "Take Me Out To The Ball Game." Hey, it's a hard song to sing, especially standing out there in front of nearly 50,000 people with no auto-tuner. After Game 6, Theriot gave a tough assessment of Wayne's performance:

"Well, I heard it," Theriot said. "We're going to have to talk about the melody just a touch, a little bit. Know what I mean? His teeth looked good."

Sometimes, it's your true homies that have to level with you. Yo. Hey, he got the words right, at least.

Theriot said he got Wayne tickets to the game and, because of Theriot's experience with the Cubs booking guest singers for the Seventh Inning Stretch, the rest just fell into place.

Theriot, who also contributed a pinch-hit RBI single San Francisco's 6-1 victory, added that he was "glad" for Wayne that he got to see Ryan Vogelsong dominate for seven innings.

And just so it's on the record, here's Hatfield doing the Hook 'Em Horns gesture:

Before anybody says anything, I'm KIDDING.

Metal!

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Tags: , Folk, , , , ,
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Late Night Fantasy Chat: 10 pm EST

21 Oct
2012
by in General

There's no need for a hard sell on this one. The Steelers and Bengals will be throwing haymakers, while the Cardinals and Giants will be throwing benders. Let's get both games on the telly and talk about it.

We can digest Week 7 in the NFL, and take a peak at Week 8. We'll take polls and get silly; discuss music, wine, women, song. The usual nonsense applies. Your presence and participation are requested mandated. Your performance tonight makes up 35 percent of your final grade.

The chat will open when the football game hits the second half. Get your popcorn ready. The chat applet is yours after the jump.

Tags: , , Late Night Fantasy Chat, , need, , Night Fantasy Chat, peak, , , , , wine
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Postseason Anthem! The Giants get some support from the bluegrass world

15 Oct
2012

I've often said the one area where Big League Stew really falls short is that we don't feature enough bluegrass music on the site. Think about it: Have you ever seen someone whaling away on a washboard and not had your day brightened? There's no way BLS wouldn't jump to the next level if Dave Brown starts bringing a juice harp to every Answer Man session.

Until then, we'll just have to enjoy this postseason anthem from Hot Buttered Rum, a great group of bluegrass musicians who are getting their inner Andy Bernard on in support of the San Francisco Giants. The video above is the NLCS version of "The Penannt" while the successful NLDS edition is embedded below. They're actually very good songs, especially if you're riding the Mumford & Sons bandwagon just as hard as you are the Giants. 

Previous postseason anthem: Ernie Harwell's "Tiger, Tiger",  Cardinals and Taylor Swift

Are you ready for the postseason?
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Best of Midnight Madness: North Carolina fans give Roy Williams heartwarming ovation

13 Oct
2012

Midnight Madness produces some memorable moments each year, so The Dagger is chronicling the best ones from Friday's lineup all weekend. If you spot something we missed, let us know here or .

Amidst the over-the-top dunks, outlandish dance steps and blaring pop music, Midnight Madness actually featured a rare heartwarming moment. North Carolina fans chanted "Roy! Roy! Roy!" and gave an extended standing ovation when coach Roy Williams returned to the court weeks after a health scare in which he had a tumor removed from his right kidney. Williams acknowledged the applause with a wave and tried in vain to hold back his emotions. In addition to Williams, two other Tar Heels received a warm welcome back. Guards Dexter Strickland and Leslie McDonald chose to be introduced together since both are returning from ACL tears.

More from Best of Midnight Madness Series:

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• Jamie Dixon's 'Jackie Moon' costume wins the night
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• Missouri's Keion Bell leaps over six people for a dunk
• Tom Izzo wows Michigan State crowd with 'Iron Man' entrance
• North Carolina freshmen don ballet slippers and tutus
• Kentucky women's coach channels MC Hammer

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Tags: Amidst, Brittney Griner, , dunk, Guards Dexter Strickland, , , , , pop, , standing ovation,
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Outside the Game: Kyle Turley hopes to get back to NFL stadiums — this time, with his band

09 Oct
2012

As a football player, offensive lineman Kyle Turley was best-known for one incident. When Turley's Saints played the New York Jets at the Superdome in November of 2001, there was a play in which Jets defensive player Damien Robinson was trying to twist the head of Saints quarterback Aaron Brooks by Brooks' facemask after the play was over. When the scrum was broken up, Turley had Robinson's helmet, and threw it across the field. Turley later said that he was merely trying to protect his teammate, but the Saints fined him $25,000 for his trouble.

More than a decade later, Turley is trying to become even more famous in another endeavor -- he's taken the music business on as he once did with Damien Robinson. Turley's self-named band has been on the road for years, and it's a serious endeavor for the former All-Pro.

"Nothing will ever compare to putting an NFL uniform and running out of the tunnel," Turley recently told Yahoo! Sports, "but I think I might get close to it again if we do it with the music."

[Related: Bill Parcells' bad advice may cost NFL execs their jobs]

Turley was better at football than anything else as a kid -- he won a full ride to San Diego State, and the Saints selected him with the seventh overall pick in the 1998 NFL draft. He played five years for the Saints before moving on to the St. Louis Rams and Kansas City Chiefs.

Still, music was always on Turley's mind.

"It wasn't until I was 14 that I could finally afford a guitar," he said. "It cost 10 bucks, and I traded a pair of Levi's, and I still have that guitar today."

The location of Turley's first passion actually fueled his second -- when he played for the Saints, he also experienced one of America's great musical meccas firsthand.

"[Being in] New Orleans really solidified music being a huge part of my life," he said. "I was introduced to so much more music there -- it was unbelievable."

As his body wore down, and injuries became a constant reality, Turley thought more and more about music as a primary endeavor.

"If everybody stayed healthy, everyone would still be playing football, because you don't just wake up one day and decide you don't want that lifestyle or those paychecks anymore. I went as long as I could."

Knowing the end was near in 2006, Turley started Gridiron Records with his friend, Tim Pickett. The Kyle Turley Band grew out of that, and Turley also supports the Gridiron Greats fund, which helps retired players in need of medical and financial help. He's also been very outspoken on the subject of concussions in the NFL, addressing a House Judiciary Committee hearing in 2010 as part of a panel entitled, "Legal Issues Relating to Football Head Injuries."

"The benefit of a long career in the NFL -- and now as a touring musician -- is the ability to bring attention to causes that I'm most passionate about," Turley recently said on his website. "I never have and never will keep quiet about issues that need a voice. Some things are just too important."

Turley wrote "Fortune and Pain," which is on his second album, after a friend developed Lou Gehrig's Disease, a condition that also took Turley's grandfather.

It's clear now that as committed and passionate as Turley was about football, he's matched that in his new life.

"If you want to make it in the music industry, you've got to have that 'want-to' deep inside," he said. "You've got to hit the road. From the moment I committed to it, and the conception of the Kyle Turley Band ... where we go with it in the future, I don't know, but I've got a few things to say right now. And I need to put my name on them."

If everything goes right, Turley might even get back in the Superdome one of these days. Next time, he won't be throwing helmets, either.

"I have full aspirations to get back to the stadiums, playing in front of 80,000 people. The Super Bowl -- hopefully, the next Super Bowl the Saints are in -- I could play 'My Soul Bleeds Black and Gold' at halftime."

Sounds like a reach, but this is not a guy you want to doubt -- at the very least, his effort is unquestionable.

"I learned early on that being a quitter was unacceptable. I don't like to live my life that way. If I do something, I'm going to go all out, and I'm going to make it happen. And if I don't make it happen, it wouldn't be because I quit."

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Tags: Damien Robinson, Kyle Turley, , , , , , Turley
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Outside the Game: DeSean Jackson is moving quickly toward a rap career

02 Oct
2012

Philadelphia Eagles star receiver DeSean Jackson grew up in and around Compton, Calif., when that area was the rap capital of the world. Though he went a different way with what has been a highly productive football career, Jackson hasn't forgotten his roots, and his background has left him with an intense desire to express himself with a rap career of his own.

"I just want people to understand and get to know the real DeSean," Jackson recently told Yahoo! Sports. "That culture for hip-hop was huge, and I had a passion for it at an early age."

Jackson's been one of the NFL's fastest receivers since the Eagles selected him in the second round of the 2008 NFL draft. He ran a 4.35 40-yard dash at the scouting combine, and he's always been one of the league's toughest players to catch in a straight-up race. Just as he has sought to move past those who wondered if he'd ever succeed at this level. Now, he's moving just as quickly in the direction of a bigger life in music.

[Michael Silver: Refs' reign of error not enough to hold Packers down]

"People always doubted me, saying that I'd never go to Long Beach Poly [High] and make it," Jackson said. "That I'd never go to Cal and make it. There's something about me that keeps being excited to prove everybody wrong. It's like the critics who say, 'Why is he rapping?' It's cool; I'll just keep proving them wrong."

Jackson was known for his blinding speed, even as a kid -- he used to chase the ice cream trucks for blocks and eventually catch it, and opposing coaches would ask Jackson's coach to move him to different positions on youth football, because their players couldn't keep up with him. Rap was just as important to him, as it is now.

"Through the music, I think [people] will get to know me and the struggles I went through in life. I can give it to them on the tracks, so people can understand the real me."

[More: Jay Cutler walks away from offensive coordinator Mike Tice on the sideline]

Jackson writes much of his music on his smartphone, and then brings friends and collaborators in to finish things off. "We work great as a unit, and we motivate each other."

"Sometimes we write separately," Anthony Moore, one of Jackson's collaborators, said. "Or, he'll have a song he's working on, and we'll walk into the studio and vibe off of that. DeSean brings that on-field energy into the studio."

Jackson's place of prominence in the NFL has allowed him time with some of rap's biggest names, and the most important one so far is the addition of noted producer L.T. Hutton to the project. Hutton, who's worked with everyone from Snoop Dogg to Bone Thugs-N-Harmony to Nate Dogg and many more, will have Jackson's upcoming album on his own Jaccpot label.

"Over the last five months, we've put together probably 120 tracks," Jackson said. "I have a slim chance of making it in the music industry. It's a risk, [and there are] no guarantees. But I'm a firm believer in having one life, and living that one life up."

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Stephen Jackson tells NYC radio hosts he doesn’t work out in the summer, thinks most NBA rappers are wack and *much* more (VIDEO)

25 Sep
2012

NOTE: This video clip contains some NSFW language when Jackson starts rapping, which begins at the 8:08 mark, so listener discretion is advised.

We already know that San Antonio Spurs swingman Stephen Jackson likes rapping, and that he intends to "do music until [he] can't talk no more." So it wasn't especially surprising to hear him answer a "What do you do in the offseason?" question asked during a Monday appearance on The Breakfast Club, the morning show on New York City hip-hop radio station 105.1 FM, by telling hosts DJ Envy, Charlamagne Tha God and Angela Yee, "I rap."

It was, however, a little surprising to hear what came next.

"I don't work out. I ain't worked out my whole career," Jackson said.

"I don't think they want to hear that — the Spurs don't want to hear that," Charlamagne responded.

"That's me," Jackson said. "That's how I've been my whole life."

"So you don't play no ball in the offseason?" Envy asked.

"No," Jackson replied.

"At all?" Envy asked.

"No," Jackson said.

"So not one jump shot?" Charlamagne followed.

"I probably shot, probably ... it's online, the only time I worked out this summer," Jackson answered.

Jackson's presumably referring to this 44-minute video published two weeks ago by sports/entertainment video channel The NOC, the folks behind that Iman Shumpert iPhone video and the documenters of Jackson's foray into youth coaching. In that video, Jackson tells former NBA player turned coach T.J. Ford, "This is my first time touching a basketball since the season's been over with." Apparently, that wasn't hyperbole.

"I been doing it so long, so when I go to training camp, I take those three weeks to get in shape," Jackson told Yee. "I really don't do too much to my body, so ..."

... so only touching a basketball once over the span of four months really isn't that big a deal. Got it. (That sound you just heard was Spurs coach Gregg Popovich grinding down another set of teeth. That's OK, though; he has five rows behind the front one, ready to rotate forward as needed for predation.)

Cap'n Jack wasn't done after his relaxation revelation, though — as he did in explaining the loss that the Spurs suffered in the Western Conference finals at the hands of the Oklahoma City Thunder, he also offered some succinct, sharp analysis of fellow NBA players' hip-hop skills. SPOILER ALERT: He is not a fan.

"A lot of NBA players that have done rap albums and mixtapes —" Yee began.

"They wack," Jackson interjected, eliciting laughter from the other hosts.

"Iman Shumpert ..." Yee continued.

"They wack. They all wack," Jackson said.

"Hold on, we ain't heard your music yet, now," Charlamagne said.

"It ain't wack," Jackson replied. "I know it."

Jackson walked his comments back a bit, noting that both Shumpert and Kevin Durant — of whom he is the world's biggest fan, we remind you — make guest appearances on Jackson's forthcoming album, "Jack of All Trades," which he said he will release under his Stak5 stage name next month. Not all the way back, though.

"They not that wack," Jackson said. "They good enough to be on my album, but they not better than me."

More brief Jack analysis of the skills of NBA rappers and how they compare to his own:

Allen Iverson: "I eat his lunch."

Shaquille O'Neal: "Not even close. ... There's no swag there. Seven-three, 350 pounds? That's no swag." Then, after Charlamagne reminds Jackson that Shaq can breakdance: "You won't get no breakdancin' out of me." (Jack does, however, think that Shaq's collaboration with The Notorious B.I.G., "You Can't Stop the Reign," was "hard.")

Tony Parker: "Wack. Terrible. Horrible. Horrible. And it was in French. Terrible."

Metta World Peace: (shakes head) "If I'm with you, I'm with you and I'mma ride with you. But as far as music, I can't vouch for his music. [...] I put my career on the line for him, going into the stands and fighting. I'll do that for any one of my brothers. But I can't vouch for his music."

If there's a stronger condemnation of a man's art than, "I'd rather fight a stadium full of people and potentially lose my livelihood than listen to this," I haven't heard it. Then again, maybe Stack just hasn't seen Ron-Ron's new 10-minute video/documentary yet. That'll probably change his mind.

I know it's difficult to believe that a 12-minute interview is worth watching in its entirety, but I strongly recommend sticking with this one for Jackson's discussion of the breakdown of his relationship with the former Ron Artest, breaking up with his fiancee 10 minutes before their wedding because she had not signed a negotiated prenuptial agreement, and much, much more.

During the interview, Jackson tells the hosts, "I consider myself 1,000," as in 10 times realer than those who keep it 100; if anything, he might be understating it. Long may you run, Cap'n Jack. Long may you run.

Video via 1051BreakfastClubFan. Hat-tip to SLAM.

Tags: Angela Yee, , , Charlamagne, , , , , , Stephen Jackson
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Zimmermann helps Nats beat Dodgers 3-1 in 1st game (Yahoo! Sports)

19 Sep
2012

Los Angeles Dodgers' A.J. Ellis reacts as he is hit by a pitch during the second inning of the first baseball game of a doubleheader against the Washington Nationals at Nationals Park Wednesday, Sept. 19, 2012, in Washington. (AP Photo/Alex Brandon)

WASHINGTON (AP) -- As music blared in the Washington Nationals' clubhouse between games of a doubleheader Wednesday, manager Davey Johnson insisted it didn't matter at all that his team had earned its 90th win and lowered its magic number for securing a playoff berth to one.


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We've known for some time that Iman Shumpert likes to rap, recording under the name "DeBeau" before the New York Knicks drafted him and releasing more music under his own name after a left knee injury ended his rookie season during the Knicks' first-round playoff loss to the Miami Heat. We've also seen him show the capacity to kick rhymes a capella, coming off the top with no instrumentation at a February party for Knicks season ticket holders that also saw former teammate Landry Fields sing a Travie McCoy song.

Given his skills on the mic, his willingness to go in spoken-word style and his predilection toward dressing like a member of the Native Tongues crew, it's not much of a surprise to see Shumpert get up on stage at venerable New York City music venue The Village Underground to share a poem he'd written about his late aunt. What is kind of surprising, though, is how affecting it is — even without a clearly overcome Shumpert choking up in midstream, even if you've never lost anyone to cancer, even if you've never lost anyone at all.

[More NBA: Orlando Magic fan sues franchise over use of her image in ads]

The sophomore-to-be's got a way with words; it's just a shame circumstances dictated him showing us this way. Our condolences to Shumpert and his family.

In on-court news, Shumpert is not only upright and walking again (as you can see in the video above), but also dunking off one leg and continues to target a return to the court somewhere between December and February, aiming to provide a second-half boost for a Knicks team that looks thin at the two-guard.

Video via hoopdrive. Hat-tip to Sekou Smith at NBA.com's Hang Time blog.


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Andres Torres misses first base on double, called out by umpire on appeal to kill Mets rally (Video)

04 Sep
2012
by David Brown in Fantasy Baseball, General

Here we go again: Would the New York Mets, St. Louis Cardinals and umpire Dave Rackley have been helped by 1980s music video technology to confirm whether Andres Torres touched first base at a crucial moment Monday?

Like, obviously, dude.

As it is, all we have to go on is Rackley's human eyes and TV's own insufficient camera angles. Rackley can be seen watching Torres closely as he rounded first on an apparent double in the ninth inning with the Mets down a run to St. Louis. And Rackley confidently called Torres out after the Cards appealed, saying he cut the corner too close (or not close enough) at first base in an effort to reach second base as quickly as possible.

Via the Associated Press:

''He went over the front corner with his toe and it just kicked dirt up onto the base,'' Rackley said.

Rackley said he wouldn't make that call if he weren't sure.

''That's what I told Terry [Collins]. I wouldn't make that up,'' Rackley said.

But umpires have been confident before and still been wrong. And this is a case where replay technology wouldn't tell us for certain if the call was correct. As the Mets' own announcers even said, it's impossible to tell for sure.

Regardless, Cards closer Jason Motte got two more outs for the save and a 5-4 victory. Rackley's call was huge. If only we could be sure. We've asked the question before on The Stew: What if the bases lighted up?

C'mon it's so obvious: The same technology that lighted up the sidewalk in Michael Jackson's "Billie Jean" video could be used to light up the bases so we could tell when a runner was touching one. Place sensors inside every player's cleats so, whenever they contacted the bag, it lights up like a burner on an electric stove. Make it light up different colors for offense and defense. Like a Simon game! The kids'll love it and we'll know for sure if a guy is on the bag or not.

Earlier this season, Carlos Santana of the Indians was mistakenly ruled safe by ump Jim Wolf because MLB didn't use base-lighting technology. "Billie Jean" came out more than 25 years ago, guys.

Be careful what you do, Jackson said, because a lie becomes the truth. If we can't have cyborg umpire overlords with robot hawk laser vision, and if TV networks can't provide us with definitive replay angles, then the next best thing is to make the bases light up like in "Billie Jean." Don't go around breakin' Mets fans, hearts, MLB. Implement this tomorrow. It'll make it a better game. And the bases will light up!

Love baseball? Even like it a little?
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Tags: Andres Torres, , Corner, Dave Rackley, , , moment, , Rackley, , , technology,
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